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TOPIC:

Word on the Street

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51
danieloptical.com
06-24-2012
05:55 AM ET (US)
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50
mbt
07-13-2010
06:00 AM ET (US)
mbt mbt
  Messages 49-48 deleted by topic administrator between 10-07-2008 02:22 AM and 05-16-2008 08:08 AM
47
Fashivychaway
10-26-2007
07:02 AM ET (US)
Oups...
46
Ginette
10-13-2007
12:37 AM ET (US)
This is an update and alert for all intending travellers to the north american continent:

Beware of racial profiling in the north american continent.
For more information visit:

http://www.topix.com/forum/world/TANLIDS431DC05FGF

Help yourselves and others you know through keeping yourselves informed about the information contained in these links.

Beware of racial profiling in the north american continent.

http://www.topix.com/forum/world/TANLIDS431DC05FGF

Have a nice day.
45
Steve VernonPerson was signed in when posted
08-26-2006
06:36 AM ET (US)
Let me double back and talk a bit about the original question asked at the beginning of this thread - Word On The Street, a success or just huge?

Word On The Street in Halifax has been through a couple of interesting mutations. I still loved it best when it was completely out in the open, up on Spring Garden Road, but a couple of autumnal monsoons rained that whole notion out of practicality.

I've been telling stories and reading there off and on, and I was there that year of Hurricane Juan. The sky greyed over and everything grew calm. I felt as if I were trapped in one of those long heavy pauses that some performance artists love to indulge in.

Over the years it's become a little more commercial. There's a lot less book tables, and a lot more corporate booths. Like I really want to go to a writing festival to talk to someone about internet connections.

Two years ago I took part in the Pitch-A-Publisher event, and this year I'm launching the book that was the direct result of that pitch session...

(pause for commercial break)
HAUNTED HARBOURS: GHOST STORIES FROM OLD NOVA SCOTIA, from Nimbus Press.
(back to our regular programing)

...so I'd have to say that Word On The Street has been a great success for me.

Huge? It's hard to call anything "huge" in Halifax. I'm amazed we even rate a capital "H" in our name. I hope that Word On The Street continues to flourish, and I look forward to it every year.
Edited 08-26-2006 06:39 AM
44
fewl
10-06-2003
11:52 PM ET (US)
Anthology, eh? About time Canada had a decent one.
43
BookninjaPerson was signed in when posted
10-05-2003
10:24 PM ET (US)
You should all send me your emails anyway so I can put you on the bookninja mailing list. I'll keep a second discussion board gossip list for situations like these....

editors@bookninja.com

G
42
Z
10-05-2003
10:23 PM ET (US)
Ah, I see discretion is the better part of valour for a ninja :)

anzawells@hotmail.com
41
Twinkle
10-05-2003
10:23 PM ET (US)
Oh no, they're going off to a corner to chat. Darn. Not fair. Just not fair.
40
BookninjaPerson was signed in when posted
10-05-2003
10:15 PM ET (US)
Zed, email me about this privately and I can tell you some stories...
39
BookninjaPerson was signed in when posted
10-05-2003
05:28 PM ET (US)
Shhhh! Happy family! Happy family!
38
Z
10-05-2003
01:21 AM ET (US)
Yeah, I hear you, G, I had the same response to Killsite and I have no wee ones to distract me from useless pursuits. But I don't know that it's an inferior book to "To the River" or "Moosewood Sandhills"; it just seems to me that it's the same book again, tho perhaps torqued up a notch too high. "Tourist to Ecstasy" strikes me as being somehow different, more varied, but after that I think he's settled into his own sort of mystic, deep-thinking, sprung-rhythm rut of hermetic mumblings. I want to see more range out of him, I guess, particularly since he is so nimble at his best.

Fuck the party line, ninja, it's not like M&S gives a rat's ass about their poetry publications anyway--or so I hear from others on the list who shall remain nameless...

PS: "Ain't nuthin but a G-thang baaaby"
37
BookninjaPerson was signed in when posted
10-04-2003
08:10 PM ET (US)
Twinkle & Zed,

I found Lilburn's new title somewhat difficult to plod through. I suppose I should tow the party line, being on the same list, but it's so very dense. I think he's a brilliant poet, though. But Kill-Site has been difficult. Maybe with the boy around now I just don't have the concentration necessary for him. Yet, I can still read Geoffrey Hill. So what gives? Ken Howe is another poet I admire, but his new Nightwood title is kind of thick as well. It's a pretty frustrating jungle that's all underbrush and vines, no canopy or loam, you know what I'm saying?

G

P.S. "Zed's dead, baby." (I'd been saving that, but I like you, so I thought I'd throw it in now.)
36
Z
10-04-2003
06:14 PM ET (US)
Twinkle,

Re Lilburn: he's one of my favourite Canadian poets, but looking back over "To the River", "Moosewood Sandhills" and "Killsite", I find it difficult to distinguish between them. He's always inventive with diction, brilliantly so, and rhythmically pitch perfect, but there seems to be little alteration in the voice from book to book. Not that this is necessary, but it's something I look for in a poet's trajectory. I'd have to re-read all three books to be more specific, and I don't feel like it just now, so I hope this is a satisfactory answer.

Re: your acknowledgments page: it's pronounced "zed", 'kay?
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