Beckett was most influenced by Joyce, and both of them were influenced by Dante's divine comedy. The same three part structure can be seen in many of their short stories, most obviously in Beckett's "Ding Dong". However Beckett (being Beckett) inverts the ending, thus his 'hero' turns from paradise and chooses instead the constant motion of hell.

Hey does anyone know what the differences in the endings in Beckett's short story 'Fingal' is between the American and the British versions, or what the British version is, ive got the American one and can't seem to find the different ending anywhere

Godot

Finally, a one line synopsis of Beckett in a Chinese newspaper. I can die now.

There is an abundance of literature that tries to pin down the meaning of Beckett's oeuvre, a task made complicated because he was tackling themes about meaninglessness, drawing upon terms like existentialism, absurdity and determinism. The basic idea behind these theories is that the world is neither designed nor predictable, but irrational and lacking meaning. What is known is what is taken from experience.

Well? Shall we go?



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Beckett for Babies...

Stephany Aulenback, who works Fridays for Maud Newton (I tell you, that woman keeps bankers' hours), has come up with a killer board book idea...



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"The unforgettable becoming the irretrievable"

"The death of a cherished friend sets life askew, leaves a hole that cannot be filled: One can think of the person, and does, but he is not there to think back, to reply. Perhaps that sense of dialogue can be replicated by simply talking about that friendship, describing how it was." Anne Atik's elegy (How It Was) for the friendship between her husband, painter Avigdor Arikha, and Sam Beckett sounds like something I must have.



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So Who Influenced Pinter?

So the person who had the most impact on Samuel Beckett's career was Henry Miller?




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