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Jenn Shreve
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07-23-2003 01:51 PM ET (US)
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Edited by author 07-23-2003 01:52 PM
Michael Rauner is a professional photographer and amateur bullfighter in California. He has combined these two passions into one spectacular documentary project. As a Texas-born, Salinas-raised girl, I have a particular fondness for sports involving large angry cattle, in spite of assurances from my vegetarian friends that I am an evil cow-hater for doing so. What these critics fail to understand is the deep psycho-sexual-religious symbolism of the act. Rituals such as this one enable we humans to access our deepest psychological and existential puzzles. Is that so wrong?
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| doofus
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07-24-2003 02:53 PM ET (US)
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I don't actually see a link to any bullfight pictures.
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| chico haas
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07-24-2003 06:39 PM ET (US)
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Don't recall much subtextual symbolism in Death in the Afternoon, but it sure explains the subtleties and athleticism required to compete. btw, I like that first photo of you saying goodbye to Marc Laidlaw.
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Jenn Shreve
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07-25-2003 06:21 PM ET (US)
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I'm bummed. I thought Michael had bullfighting pictures on his site, but he doesn't yet.
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| honkus
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07-28-2003 01:02 AM ET (US)
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Or maybe we do understand all that, and still think that it's wrong. Lots of ways to deal with existential dilemmas without engaging in faux-hemingwayism.
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bungatron
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08-05-2003 02:50 AM ET (US)
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> What these critics fail to understand is the deep psycho-sexual-religious symbolism of the act
good excuse. I'll use that when I cook and eat my mother's face - "forget the act, officer, i was exploring deep psychosexualreligious issues!"
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