You're very welcome, Andrea, and sorry for the lag in replying.
As you say, textual works are problematic in this way, because of the rarity of wholesale embedding; quoting short passages is quite common and acceptred, and in those cases being able to link to the full work is an improvement on print citation styles, but the web provides us with a good way to do this already - my
http://mediagora.com/sources.html page links to both full online texts and to print editions (via Amazon).
Stephen Fry (in The Hippopotamus) comments on how poetry vanishes into the public domain as it is repeated.
One method would be to use the subdivision techniques discussed in the paragraph
small pieces tightly bound - publish a collections of poems both individually with a small price, and as a collection that offers better value.
Defining derivative works is something that keeps courts very busy at the moment - many of the egregious examples of copyright abuse that
Lessig cites are in this area. These disputes usually only arise once the derivative has made some money, and often do need to be settled by negotiation or litigation.
If Jim cites Bob's work through mediAgora, then he should be driving sales to Bob for the work that is incorporated - if he writes a short story based on characters in Bob's indivisible novel, then he is expecting his readers to have bought and read Bob's novel first. If they buy Jim's short story, then they have bought Bob's novel too.
A way to resolve disputes over attribution and plagiarism will need to be part of the mediAgora terms of use - perhaps reputation ratings as used successfully by eBay for rating buyers and sellers could come into play.